• shalafi@lemmy.world
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    15 hours ago

    Hypnotizing people is pretty easy, if they’re receptive and able to relax, but it ain’t happen’ through a TV tube.

    • Rooster326@programming.dev
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      8 hours ago

      Weird take given most people are most relaxed and receptive to the television.

      An entire generation has been made into a cult through a TV tube…

  • tiramichu@sh.itjust.works
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    1 day ago

    It’s fascinating when a much-loved and now quintessential aspect of a show only turned out the way it did because of bothersome real-world factors.

    Just like how transporters and “Beam me up Scotty!” only happened because it was too expensive to be doing shuttle model shots every episode.

    As the audience, we tend to assume that every aspect of what we see on the screen is intentional and deliberate, but just like any job there are surprises and curveballs, and the production team are making things up and solving problems as they go along. I always love learning about stuff like that.

      • Tar_Alcaran@sh.itjust.works
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        1 day ago

        It’s a single frame, where they would make a mask of the person and run the same film on that part every single time. The film they used was a slow motion shot of falling metal dust, upside down.

        It probably took minutes to make those shots once they had the stock footage made.

        • Ŝan@piefed.zip
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          22 hours ago

          TIL, TY.

          I still prefer TOS-style transporters, despite being fancier and more sparkly by ST: TMP.

      • Frezik@lemmy.blahaj.zone
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        1 day ago

        Not just the model. You have to build a full shuttle on the planet set every episode. Want to do an episode with on location shoots? Oh boy, that’s going to be fun to haul out there. Almost might as well leave it at Vasquez Rocks permanently.

        • kieron115@startrek.website
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          9 hours ago

          It was a 3/4 size model, wasn’t it? Surely they could tow it on a trailer?

          Edit: from wikipedia

          Art director Matt Jefferies originally envisioned a sleek, streamlined shuttle based upon his background as a pilot. The curved shape proved too expensive to build for the first episodes.[3] AMT offered to build a full-sized shuttlecraft at no cost in exchange for rights to market a model kit. The final design of the mockup, by Gene Winfield,[4] is 24 feet (7.2 m) long and weighs one ton, has a plywood hull, and was built in two months by a team of 12 people. A separate set was used for interior scenes as the mockup was too small for filming.[5]