A decade ago today I published a blog post calling for the US government to release its paintings of fruits. The Pomological Watercolor Collection, as I had recently come to know, is a beautiful and remarkable corpus of over 7,000 pictures of fruits and other biological specimens, made between the 1880s and 1940s. Through a handful of FOIA requests I’d learned that the images had been meticulously digitized and put online for purchase, but that less than 100 pictures had been sold that way — not nearly enough to justify the paywall.