I support creators as I can, but when there’s literally no other option to own it in a way it can’t be just taken from you I don’t feel there’s any strong argument against it.
… when there’s literally no other option to own it in a way it can’t be just taken from you …
There’s at least one legal route that’s still viable.
I buy lots of Blu-ray and 4K UHD discs. I rip them straight on to my Jellyfin server. In fact, there’s been renewed vitality in disc releases during the past few years. Small shops like Shout Factory and Arrow are buying rights to old (‘60s through ‘00s) films that were shot on 35mm. They re-scan and remaster for UHD 4K and then straight to physical disc. That’s a cheap production pipeline with modern tech.
I’ve been having a blast re-visiting films that I never saw in the theater and only know from VHS or DVD rentals. Seeing them again with fresh eyes in 4K has been really gratifying.
That, plus new release discs keep me with more options than I have time to watch.
I’m a huge fan of Shout Factory, and I’m at a place in my life where I can generally afford to pay for my media, so I do. I’ll have to look up Arrow.
Voting with your wallet works both ways, and while most of the payment will be eaten by corporate interests at least it signals “I want more of this sort of thing”.
My comment was mainly meant as a response to the statement regarding later seasons of Always Sunny simply not being available to purchase physically. In situations like that, I see no reasonable objection to raising the sails.
It’s weird watching 4k re releases of CG animated movies from the early 2000s. Some of them they re-rendered at 4k and you can see that major characters are high res, but all the background assets are not. Same with some early special effects in 4k. You can really see the rotoscoping and how some effects were done
May I interest you in the !piracy@lemmy.dbzer0.com wiki/megathread? Yo ho yo ho…
I support creators as I can, but when there’s literally no other option to own it in a way it can’t be just taken from you I don’t feel there’s any strong argument against it.
There’s at least one legal route that’s still viable.
I buy lots of Blu-ray and 4K UHD discs. I rip them straight on to my Jellyfin server. In fact, there’s been renewed vitality in disc releases during the past few years. Small shops like Shout Factory and Arrow are buying rights to old (‘60s through ‘00s) films that were shot on 35mm. They re-scan and remaster for UHD 4K and then straight to physical disc. That’s a cheap production pipeline with modern tech.
I’ve been having a blast re-visiting films that I never saw in the theater and only know from VHS or DVD rentals. Seeing them again with fresh eyes in 4K has been really gratifying.
That, plus new release discs keep me with more options than I have time to watch.
I’m a huge fan of Shout Factory, and I’m at a place in my life where I can generally afford to pay for my media, so I do. I’ll have to look up Arrow.
Voting with your wallet works both ways, and while most of the payment will be eaten by corporate interests at least it signals “I want more of this sort of thing”.
My comment was mainly meant as a response to the statement regarding later seasons of Always Sunny simply not being available to purchase physically. In situations like that, I see no reasonable objection to raising the sails.
It’s weird watching 4k re releases of CG animated movies from the early 2000s. Some of them they re-rendered at 4k and you can see that major characters are high res, but all the background assets are not. Same with some early special effects in 4k. You can really see the rotoscoping and how some effects were done