You must be young (or without memory). YouTube ads started exactly with picture ads (horizontal banners), but that was not sufficient, and ~12 years later there already are 2 unskipable videos at start, middle and finish (and several at the middle if in a long video). Your ad at the pause may start with pictures even, but videos and later longer videos will follow.
There is the PeerTube network, which works like Lemmy.
VK Video is indeed probably close to it, being a quasi state company. Theoretically they can not maximize profit extraction in all spaces, and keep the videos without unlimited propaganda. But Rutube is a profit-seeking company that is just smaller scale youtube. Let’s see how the 1st will evolve over time.
I will shamelessly recycle my comment up the thread:
The modern western conception of art (around which the current legal and economic systems were constructed) is really opposite to the idea that the current AI tools (OR the programmer that used them) should deserve any copyright.
Why ? The concept of art (the modern western one) is that an Art piece is composed of :
The idea can be given by others, to be constructed by an artist. That is usually a Patron (from where Patreon invented its name) , in spanish Mecenas, that pays the work and directs what idea and even general form it will take (the social practice is called Mecenazgo in spanish, since english has no equivalent word, i will use that ). Example: The Sistine Chapel, which was conceptualized (and paid) by the Catholic Church, including themes and general style, and was given to italian artists like Michelangelo to give the final form, which they drew themselves, with the approval of the church authorities at the end.
The current Ai tools work exacly like the Mecenazgo:
The current copyright legal and economic system gives the intellectual property to the ARTIST, that made the step 2, and NOT to the Mecenas of the step 1. Because the Mecenas only had ideas, and the one who made what is considered artistic work, that deserves the legal privilege of IP, is the artist. If all someone did was tell the AI what to draw (i.e. gave an idea, general theme and general form), then the person is only acting as the Mecenas. The MACHINE is doing the artistic work, and since the machine is not a human that deserves the legal privilege, ir should be considered non copyrighted or public domain, just like the picture some monkey took of itself some years ago.
This was not always nor everywhere the social interpretation of WHO is the agent that actually made the art. Before the Renaissance, the western societies considered the Mecenas of step 1 the TRUE ARTIST, because he-she had the idea, and the person that gave form to the idea was considered a low level construction worker like stonemasons, that did not even have its name recorded. If you are wiilling to go back there, we would have to fundamentally change our interpretation of art , artists and rewrite the Sistine Chapel as created by the Catholic Church , and michelangelo is irrelevant.
50 years is already excessive, dude or dudette. The north american law originally gave 14 years, plus another 14 years if the creators actively sought after and were approved (most did not even ask, and approval was not guaranteed). This is comparable time to patents, which serve the exact same function, but without the absurd time scales (Imagine if Computers were still a private tech of IBM … those sweet mainframes the size of a room). 28 years, or lets put 30 years fixed at once, is more than sufficient time for making profit for the quasi totality of IPs that would make a profit (and creators can invest the money received to gain more, or have 30 years to think of something else). 30 years ago was 1994, think of everything the Star Wars prequels have sold, now remeber the 1st film was from 1999, would star wars prequels ventures really suffer if they started losing the IP from 2029 onwards ?