• jordanlund@lemmy.world
    link
    fedilink
    English
    arrow-up
    2
    arrow-down
    10
    ·
    12 hours ago

    There is an AI angle that COULD work it’s just unfortunate that nobody is using AI in this way.

    Instead of replacing creatives the way it does now, it could be used as a tool to inform creatives.

    For example, not linking the product because they aren’t paying me to shill for them, but there is a brand of AI enhanced guitar amplifier. You use the prompt in the app to tell it what sound you’re looking for and it will do all the amp and pedal settings to make that happen.

    “jazz guitar tone with a touch of reverb” or even specific bands and songs.

    You STILL have to be able to play the guitar, it’s not going to do that for you, but it will save you hours of knob twiddling and pedal swapping to get the sound (or an approximation of the sound) you’re looking for.

    Applying this to other creative fields, a novelist could use it to generate character names, or an artist could use it to come up with a color palette. I don’t think either of those would be objectionable because the creative still controls what happens after the fact.

    It’s when the slop starts writing, painting, or playing for you that it becomes a problem and that’s where we are now.

    • brackled@lemmy.world
      link
      fedilink
      English
      arrow-up
      21
      ·
      11 hours ago

      Friendly rebuttal. I don’t like this version either because of two reasons. First is that it is still using stolen material to do any of this “creative work”. Second: the knob twiddling, mixing colors, and all versions of that are integral to the creation process. Happy accidents are why we have a lot of what we have in the creative world. Somone chasing a specific sound might discover their own sound while twiddling away for hours. They will be able to do that in a much more replicable and modifyable way than the black box that is “AI”. But that’s just my opinion as an amature creative.

      • jordanlund@lemmy.world
        link
        fedilink
        English
        arrow-up
        2
        arrow-down
        5
        ·
        11 hours ago

        It’s part of the creative process, but it’s also it’s own rabbit hole. 😉 I do like having 42 simulated amps and 56 simulated effects pedals on tap without spending 10s of thousands of dollars, but fiddling with them is it’s own deal aside from playing and is, apparently, never ending. LOL.

        But OTOH, if I want to try my hand at a specific song, I can get there without having to research every last bit of tech that went into it.

        You’re right though, locking in “my own sound” is still do-able. The manual selection is all still there.

        • kalkulat@lemmy.world
          link
          fedilink
          English
          arrow-up
          3
          ·
          edit-2
          9 hours ago

          it’s also it’s own rabbit hole.

          I quit all that tech & dozens of learning curves when I realized I was spending more time in the tech zone that than on music. Think how technically shitty that record ‘Louis, Louis’ was, yet it got covered thousands of times. Can’t ‘quantize’ or ‘EQ’ or ‘reverb’ or ‘mike arrange’ or ‘24-track’ a great song.

    • ExcessShiv@lemmy.dbzer0.com
      link
      fedilink
      English
      arrow-up
      5
      ·
      edit-2
      11 hours ago

      Knowing how to use your e.g. amp and different effects is as much an artistic skill as being able to play. Knowing how to select the color palette is as much a skill as doing the painting itself. What you’re describing is no different than me (with zero painting/drawing skills) being able to get a great detailed idea for a visual design and just using AI to get it in to existence.